kenny hodgart

Poetry, war and bicycles

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This article appeared in the magazine Metropolitan

It is the first Sunday in April, 2009, and my train has chuntered out of Brussels, bound for East Flanders. Ghent, famed for its immaculately-preserved medieval architecture, is less than an hour to the north, but my destination is the lesser-known hilly area to the south of the region – the Flemish Ardennes – home to the “hellingen” which provide the dramatic setting for the cobbled classic cycle races run in Flanders each Spring.

In professional cycling, cobbles are to these “Classics” what the high mountain passes of the Pyrenees and the Alps are to the Tour de France. It is on these sections of the course that the ambitions of the few are realised, the hopes of many are crushed and, in such short, steep climbs as the famous Koppenberg, near the town of Oudenaarde, that thousands fervently line the route to experience the thrill of the race as it hurtles past.

Where the colour, celebrity and scale of the Tour de France lend it a glorious, epic glamour, the grittiness of the so-called “northern” Classics has a fascination all of its own. The Paris-Roubaix race – run over an unrelenting series of punishing cobbled farm tracks in northern France – is considered the “Queen of the Classics”, but is preceded in late March and early April each year by the Vlaamse Wielerweek (Flemish cycling week).

This festival of racing includes the Classic Ghent-Wevelgem, which features the ascent and terrifying descent of the famous Kemmelberg climb, and the “Three Days of De Panne” stage race in West Flanders. But the highlight, and the race which brings all of Flanders to a standstill, is the Ronde van Vlaanderen (Tour of Flanders).

“You can either ride the cobbles or you can’t”, says Barry Hoban, an Englishman whose successes in the 1960s and 70s endeared him to Flandrians to such an extent that he became known as The Gent of Ghent. “Some guys are terrified of them. You have to ride them hard and fast and take whatever the weather throws at you. I’ve ridden Paris-Roubaix in snowstorms and I’ve ridden it in a heatwave. And when it’s hot and dry it’s worse because the dust gets up and your eyes are red for about three days afterwards.”

As someone who “hit the north” as an outsider, Hoban – whose results included victory in Gent-Wevelgem, third in Paris-Roubaix and fifth in the Ronde – is well-placed to comment on what distinguishes the culture of cycling there. “As a young man, I left West Yorkshire – a hard-grafting, coal-mining area – and moved to northern France and lived among hard-grafting, coal-mining people there,” recalls the 71-year-old.

“The only difference was the language and the fact that they loved cycling, because the people were exactly the same. I lived first in Bethune (in France) and later in Ghent, and at that time there were very few English-speaking riders. But I didn’t feel out of place. I learned French and Flemish and just immersed myself in it. People took me to their hearts as one of their own.”

Hoban describes his Ghent-Wevelgem win in 1974 as being as special as his Tour de France stage wins. “In that race I beat everyone, all of the guys from that great generation of Belgian cyclists: Eddy Merckx was second, Roger de Vlaeminck was third. [Walter] Godefroot, Freddy Maertens were both there. I beat them all, I beat the hierarchy of Belgium. It was good.”

He also remembers losing out against Merckx, probably the greatest cyclist of all time, when they hit the “muur” together in the 1969 Ronde. Muur means “wall” in Dutch, and the Muur van Geraardsbergen, with its half-kilometre cobbled section, scaling upwards at a gradient of up to 20% to the iconic Chapel of Our Lady at its summit, often proves the decisive battleground at the head of the race. The latter half of the Ronde features more than a dozen similar hellingen, but because the Muur comes after 250km of racing – only 17km from the finish in Ninove – those not reaching the chapel with the leaders have no chance of contesting the win.

My train into Geraardsbergen – one of the oldest “cities” in Europe, but now a modestly-sized municipality – is not busy. Few, it seems, travel from metropolitan, cosmopolitan Brussels to watch this race. But as I reach the main street leading up to the town square, I realise the party is already in full swing. It is a bright, sunny day, warm for April, and old and young mingle together in the square’s packed bars and restaurants.

The race passes through the square and it is just before it that the Muur begins in earnest, albeit the cobbled section isn’t for another half kilometre. Past the square the road swings upwards and left, and several thousand fans are packed in along the wide boulevard.

The riders are still more than 40 minutes away, but already a decisive break has formed. The biggest name in Belgian cycling, and two-time winner of the race, Tom Boonen, has missed it, but last year’s winner, the Flandrian Stijn Devolder, is present. There are black and yellow Lion of Flanders flags everywhere.

I head further on up the hill. At the end of Oudebergstraate a cobbled lane narrows and steepens, making its way up through a wooded section and round a hairpin bend which kicks up again to the Chapel at the top. This is the heart of the Muur, where the toughest riders create the fractional gaps that can quickly lengthen into decisive ten or 20 second leads. All the way up, on both sides of the road, people are tucked into the embankment, holding on to the branches of trees to stop themselves falling on to the road. Some have been there for hours, waiting like snipers for a Boonen, Devolder or Lief Hoste to pass by inches in front of them. Waiting, I discover, to unleash their noise on the Ronde.

Among the crowd the orange of visiting Dutch fans is visible; a few English voices can be heard; and a fan club of Italians is vocalising its support for the young up-and-coming Italian rider Marco Bandiera. But though the appeal of the race is international, its identity is distinctly Flandrian: the majority of the spectators are behind the local riders and chants of “Sti -jn – Devolder” ring out.

“When you’re a kid and you take up cycling you dream of making it to the Muur van Geraardsbergen in first place,” is how Boonen, a native Flandrian, explains the passion and frenzy. “Belgians grow up with cycling in their hearts. It’s ingrained in our culture like football in Italy or skiing in Austria. [The Ronde] has always been part of my life, ever since I was a kid and would watch the race on television. It’s my country’s race and it’s where I had my first great victory in a Classic [in 2005]. It was an unforgettable moment. When I crossed the finish line in front of thousands of supporters screaming my name it was like living a dream.”

As I squeeze into a spot just below the chapel, the scene is a flurry of nervous activity. Some have radios pressed to their ears and I catch the names Devolder, Boonen, Gilbert and Chavanel at various intervals. A man, fuelled by strong beer and sensing a captive audience, decides to break the tension by performing a dance with his trousers at his ankles, much to the delight of his peers.

And then the television helicopter is sighted overhead. A new expectation fills the air: the race is near, the distant roar of crowds further down the road can be heard, and as the volume increases men, women, children, even dogs strain their eyes on the road. People know Devolder and the Frenchman Chavanel are up there, and they know that Boonen hasn’t made it. A flash of colour is sighted through a chicane in the road, and the crowd slowly recognises it is one rider on his own. It is Devolder.

An ecstasy fills the air. Men roar and women shriek as he rounds the bend at the top of the Muur in a flash, sweat glistening over his muscles in the sunlight, a grimace of pain etched on his face. And his effort is not in vain: he crests the summit with a gap of some ten seconds on his pursuers and by the time he reaches Ninove it is almost a minute.

I eventually make my way back to the square, where a full-scale celebration is underway. Assuming it to be a Flandrian beer, I order an Orval, and am chided for it by a local man, who explains to me that it is, in fact, from the French-speaking Walloonian south. And maybe he is right to chide: maybe the passion and parochiality of Vlaamse Wielerweek is what gives it its distinctiveness, its enduring appeal in a world in which sport is becoming ever-more globalised and commercialised. “It’s poetry and war at the same time,” Boonen tells me. “This sport is like religion to us.”

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